Sculpture

Other recurring topics are: typewriters that function as an instrument, as a way to create sounds, words, work and music. Other ways of creating and collecting sounds are also found in my work. Besides this, dead birds or other animals, scanning techniques, analog photography and film is also recurring in my work.
I am fascinated by the process of metal casting. I learned the technique and I know how to make the technique my own. Even after a few sculptures I make, I am still fascinated by the ”change of material”. From the original item (a dead bird) to wax, to liquid metal, to metal.

Title: Duif
Material: Aluminium
Dimensions (cm): 62 x 30 x 30

This work is called Duif (translation: pigeon): a pigeon made of aluminum. Besides that I think that the ‘Duif’ looks interesting, the process also fascinated me. To make this sculpture, I brought a real dead pigeon from the street home and kept it in my freezer for a couple of weeks. When there was time in the workplace, I added channels of wax. To add the pouring cup, I needed to pierce the bird with a stainless steel pin. Then the mold was put in the oven, the pigeon cremated, and so I poured aluminum in the hollow space
that had formed in the mold. The ashes and a few pieces of bones that remained of the pigeon were kept in the mold, you can still see this in the aluminum, these are the last remnants of the pigeon.
This is a way to establish and to keep the dead of the everyday. By using a real pigeon, I am a part of the process of the dead of the pigeon. Using aluminum was an interesting choice, because there is a contrast with on one side the dead pigeon and on the other side the aluminum which almost feels shiny-glitter-like.

I focus on sharpening the senses and the mind using two standard recognizable materials. I heat industrial foils together with glass at different temperatures, observing their mutual transformation of surface, color and fluidity. By modifying their properties, I create a visual confusion. We are only able to realize this difference based on the involvement of touch. An important part of objects is the environment in which the situation is created, such as light, space, time…

Before the question “How do things work?” it is necessary to ask the question “What are things?”.
However, I will not start from scientific knowledge, but from sensory knowledge
experience as subjective observation. The experience I create is based on transformations. I can perceive them with my whole being, which contains a lot of information, feelings, sensations, experiences in scope and intensity,
which completes the overall perception.
The intention is to replace standard use with natural perception – from automatic to conscious. But what kind of automaticity is involved?

dimensions:
objekt1: 140x90cm
objekt2:100x70cm
objekt3: 40x50cm
objekt4: 40x30cm

Title: Significant Fragile Silk Faust
Material: eco-leather, viscose textile, cotton, spray paint, freshwater pearls, 925 silver connectors
Dimensions: approx. 100cm x 90cm

About:
Significant Fragile Silk Faust is a soft sculpture that raises questions about self-image, portraiting, self-representation, and fiction. And when said fiction, the sculpture is built as a kind of a fictional character trying to represent the artist and playing on the role of gender and empowerment through the shape and detail.
Work deals with the culture of drag, street art, and the question of authorship that can be seen in the painted part of the sculpture, as well as labeling that comes from the fashion industry.
The artist with her signature imitates the gesture of signing from art masters in history of art, and this time she uses her signature in form of a fashion label to comment on the phenomena of branding popular in neo-capitalism.

Human condition based on Jung theory (black composition). materialas: gypsum, firedbwood, charcoal. 300×200×180cm
Deconstruction. Machine made from undertrails wood and steel. It’s working mechanism. 250×250×100 cm

Electronic devices are an integral part of our modern life with the primary goal of making it easier; they help us to shop, at work, in the bank, to communicate…
However, the constant innovation and increasingly rapid development of new e-devices creates a need for even more modern products, which makes the devices we already have quickly obsolete.
The installation ZERO is entirely made of e-waste and recycled material from the streets of Sarajevo. In addition to e-waste, the installation is also made from plastic waste from local parks, old wires from various metal plates and similar material found next to garbage cans, which are then connected by wire, glued with different glues and painted with acrylic paints to form flowers, leaves and grass.
As waste accumulates in cities and around them and the loss of natural resources become more apparent, our community is brought to the edge of its existence.The installation ZERO uses the accumulation of waste material to imitate nature with the aim of creating a new environment in a closed space. It is set up in a way to imitate a park, without an accent or main point of view.
In addition to recycled materials, old zinc graphic plates were also used to create the installations, which after countless etchings and prints had lost their detail and quality, and through the role of waste they took on a new role as ficus leaves. In this way the matrix, which used to print copies, got a new purpose in the role of originals. ZERO also uses light and sound to complete the visual experience and adequately imitate the atmosphere of fast-paced city life.

Size and suggested presentation of the project: As the total size of the original installation is 1m and 20cm tall and 3m and 40cm wide and it’s very difficult to be accurately recreated (it consists from various small pieces), I suggest that in this context the video documentation of the work (https://vimeo.com/575254331) is exhibited instead of the actual work with pieces of the original installation placed in the exhibition area to serve as artifacts.

Life-size stainless steel jack imitating one of its most natural postures Technique: electric welding
Dimensions: 24 x 38 x 60
Material: stainless steel